Young, proud, and handsome, the artist includes his wife, Rita, in this 1922 self-portrait. There was probably no better time for Thomas Hart Benton to write his autobiography than in 1937.

The National Portrait Gallery now contains over 26,000 works of art, including commissioned portraits of Presidents. Their collection also includes 11 works of art by Thomas Hart Benton (and two letters), including Self-Portrait with Rita (circa 1924).

Thomas Hart Benton was an American painter and muralist, and one of the central figures associated with the Regionalist art movement of the 1930s. Together with John Steuart Curry and Grant Wood, he championed realist modern art that …

Self-Portrait with Rita. Painted in Martha's Vineyard, in this work Benton renounces his earlier experimentation in cubist-inspired abstractions. Standing bare chest alongside his scantily clad wife, Rita, Benton's self-portrait is among the most startling figure subjects of the early 1920s.

“Self Portrait,” created by Thomas Hart Benton in 1970, is a notable work within the Regionalism art movement. This particular piece falls within the genre of self-portraiture. In the artwork, Thomas Hart Benton portrays himself standing confidently in his studio, brush in hand.

By: Thomas Hart Benton. Date Created: 1970. Medium: Oil on canvas. Dimensions: 39 1/2" x 29 1/2" (100.33 cm x 74.93 cm) Provenance: Maintained by the Combined Trust under Wills of …

From 1929 – 1974, Thomas Hart Benton created nearly a hundred limited edition lithographs ranging in edition sizes of 2 to 500. This catalog seeks to give a comprehensive overview of Benton’s lithographic output, organized by year.

Apr 10, 2015 · Of particular interest is his American Historical Epic, a self-commissioned mural painted between 1920 and 1928 interpret the narrative of the nation in a new way. A series of 14 large easel paintings, when it’s completely assembled it stretches out for 60 feet.

At the turn of the twentieth century, Thomas Hart Benton was among the many young artists who embraced abstraction. He soon rejected that brand of modernism, however, and emerged in the 1920s as a leader of the regionalist school of realism.

During the 1930s, his landscapes and genre scenes made him America's foremost regionalist painter. This double portrait, painted the year the artist and his wife, Rita Piacenza Benton, were married, depicts the couple on South Beach, Martha's Vineyard, Massachusetts.