Exhibition co-curator Christopher Riopelle, the Neil Westreich Curator of Post 1800 Paintings at the National Gallery, said: “More than any of his contemporaries, Renoir was committed to chronicling ...

The National Gallery of Australia’s collection tells this story, too, but from a local context. By putting these two collections in dialogue, we can illuminate the astonishing speed with which ...

At the National Gallery in London, New York-based architect Annabelle Selldorf has reimagined the interiors of the Sainsbury Wing, the extension designed in the 1990s by the duo Venturi and Scott ...

The gallery’s much heralded rehang avoids burdening the art of the past with the politics of today as it reconsiders what the modern visitor really wants The National Gallery has always had trouble ...

The National Gallery’s Sainsbury Wing reopens on Saturday, May 10. First look inside London’s jaw-dropping 1,000-seat new theatre. The best art exhibitions in London right now.

Fronting London’s Trafalgar Square, the National Gallery’s new main entrance designed by Selldorf Architects debuted today.

Home The Finer Things Art and Antiques A new National Gallery exhibition shines a light on Siena’s brief, but dazzling golden age In the space of 100 years, Siena's artists redefined painting as an ...

The National Gallery’s ‘NG Stories’ Exhibition Is Missing a Chapter The museum’s bicentenary celebrations skirt neatly around its relationship with social and political protest.

Activists have attacked artwork at the National Gallery in London five times, the gallery said. Just Stop Oil said the threat from climate change was much more serious.

A billionaire lover of fine art, he and his brothers had in 1985 pledged to fund a major extension of London's National Gallery. (The cost was undisclosed, but reportedly in the tens of millions.) ...

John Sainsbury disagreed with the design of his family’s namesake wing at London’s National Gallery. Three decades later, after his death, his critique rang anew.

Builders demolishing a column at London 's National Gallery have uncovered a 34-year-old letter from the rich donor who paid for it and revealing he hated the pillar.